Zadie Smith’s dazzling debut caught critics grasping for comparisons and deciding on everyone from Charles Dickens to Salman Rushdie to John Irving and Martin Amis. But the truth is that Zadie Smith’s voice is remarkably, fluently, and altogether wonderfully her own.At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation.
A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.
At first I was confused about the stories of Archie Jones and Samad Iqbal and why the fusion of their destinies had relevance but once they start families and their children came into picture I found... more
At first I was confused about the stories of Archie Jones and Samad Iqbal and why the fusion of their destinies had relevance but once they start families and their children came into picture I found more and more about them and things started falling into place, like a tetris game, not only regarding to their stories, but also regarding to the bigger picture, the one related to immigrants and an era painted over the British geography, to religion and individualism. I don't know how Zadie Smith knows all the things she knows, but she has a humorous and wise way of putting them down on paper. She pulls the reader into the story, knitted with details, by showing him different sides of the same coin and allowing the characters to speak for themselves.