Originally a 1966 Broadway musical, this groundbreaking Bob Fosse musical was in turn based on Christopher Isherwood 's Goodbye to Berlin, previously dramatized for stage and screen as I Am a Camera with Julie Harris as Sally Bowles.
Outside it is windy, but inside it is so hot, every night we have ze battle to keep the girls from taking off all their clothing. So don't go away, who knows? Tonight we may lose the battle!
in life, you don't get the people you want.
you get the people you need.
to teach you, to hurt you, to love you, to make you laugh.
to make you exactly the person you should be.
- Unknown
Chilling Fosse vision of Weimar
Berlin, stylishly directed and
choreographed, featuring a show-
stopping musical performance by
Minnelli, Grey's unforgettable emcee
and thoughtful acting from... more
Chilling Fosse vision of Weimar
Berlin, stylishly directed and
choreographed, featuring a show-
stopping musical performance by
Minnelli, Grey's unforgettable emcee
and thoughtful acting from Michael York.
follow.me.on.TWITTER @iamkarlchufull ;')
Let's just say it: the best thing going
in director Bob Fosse's tour de force
is Joel Grey. As the Master of
Ceremonies at the infamous Berlin
Kit-Kat club, Grey steals every scene
he's in and... more
Let's just say it: the best thing going
in director Bob Fosse's tour de force
is Joel Grey. As the Master of
Ceremonies at the infamous Berlin
Kit-Kat club, Grey steals every scene
he's in and makes us hope for more.
follow.me.on.TWITTER @iamkarlchufull ;)
Superbly choreographed by Fosse,
the cabaret numbers evoke the
Berlin of 1931 - city of gaiety and
perversion, of champagne and Nazi
propaganda - so vividly that only an
idiot could fail to... more
Superbly choreographed by Fosse,
the cabaret numbers evoke the
Berlin of 1931 - city of gaiety and
perversion, of champagne and Nazi
propaganda - so vividly that only an
idiot could fail to perceive that something is rotten in the state of
Weimar.
follow.me.om.TWITTER @iamkarlchufull ;)
Whatever this 1972 feature is, it's
entertaining and stylish, though
maybe not quite as serious as it
wants to be.
follow.me.on.TWITTER @iamkarlchufull
Everybody in Cabaret is very fine,
and meticulously chosen for type,
down to the last weary transvestite
and to the least of the bland, blond
open-faced Nazis in the... more
Everybody in Cabaret is very fine,
and meticulously chosen for type,
down to the last weary transvestite
and to the least of the bland, blond
open-faced Nazis in the background
follow.me.on.twitter @iamkarlchufull ;)