I think we still romantacise about the dictators of yester-year.
Or is that just me?

Marco Bellochio's operatic film borrows from Expressionism, futurism, Soviet Constructivism and Brecht in telling the story of Ida Dalser, a woman who devoted herself passionately to loving and... more

Marco Bellochio's operatic film borrows from Expressionism, futurism, Soviet Constructivism and Brecht in telling the story of Ida Dalser, a woman who devoted herself passionately to loving and living for one man, a young revolutionary sexpot named Benito Mussolini. It doesn't end well.

The Italian language is so beautiful