Give MeShell Ndegeocello credit for following her druthers. The third album of her six year career could conceivably become a cult item even a major hit. But Bitter ignores the art funk that made her famous so thoroughly that I can t imagine she worried about its commercial prospects.
Although the music is slow and confessional with Lisa Coleman s piano overwhelming Ndegeocello s bass it s nowhere near as static and stolid as...More > Read More Reviews on RollingStone.com