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        It's all about concision and textures that creep into the folds and crevices, sounds you have to crane to notice otherwise. "Terminal" and "Gate 7" roll over tripped-up mid-tempo beats that measure... more
        It's all about concision and textures that creep into the folds and crevices, sounds you have to crane to notice otherwise. "Terminal" and "Gate 7" roll over tripped-up mid-tempo beats that measure as anything but mid-tempo, thanks to staccato synth riffs that yank them forward, while glacially patient backgrounds push them from behind. You can follow the highs for a glimmery rush, settle into the lows for a moody lull, or get lost somewhere in the middle to luxuriate in Boratto's sweet-spot.

        Chromophobia is more about the subtle declarations of tension and release in a track like "The Blessing". It's an articulate mess of snare fills over a hi-hat that sounds simply happy to be there, and a slow, moody bass-line that won't be swayed to smile by any carnival happening off in the distance. It moves at several different speeds while sloughing off the impulse to pick just one.
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