By Yo La Tengo, 2006

This bold, eclectic, 80-minute album is the pinnacle of the band's twenty-year career. From eleven-minute guitar jams to gorgeous ballads to winsome horn-drenched pop songs, this album is all over the map, in a very good way. Features the talents of longtime Nashville producer Roger Moutenot, violinist Dave Mansfield of Dylan's Rolling Thunder Review, and the jacket artistry of Gary Panter (Raw, Jimbo).

More from Yo La Tengo I Can Hear the Heart Beating as One Painful And Then Nothing Turned Itself Inside-Out Fakebook Electr-O-Pura Prisoners of Love (Double Disc Anthology) It's no surprise that a group named after something said during a baseball game would title an album after something said during a basketball match. It is a bit of a surprise that this band remains so incredibly good, and capable of surprising even longtime listeners. This one's so diverse and such a mixture of different styles, it's reminiscent of the group's all-request on-air shows they play annually to support New Jersey-based radio station WFMU.

Book-ended by two long, droney tunes, you've got garage-rock rave-ups, country-pop, horn-driven R&B, little gorgeous atmospheric songs, some brilliant falsetto singing, and...this list could go on and on. Who else would think to pair conga-style percussion to a Suicide-esque synth drone?Or even to work with longtime Dylan collaborator and strings arranger and violinist David Mansfield and have genius illustrator Gary Panter do the artwork at the same time?It's the little things that matter, especially when you mastered the big ones twenty-plus years ago.

--Mike McGonigal

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