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Wolfmother

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    Stef liked and reviewed Wolfmother
    
    Bon album
    
    7 months
    
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    traveler120 Thanks for following. If you need anything, please ask. In the meantime, this site may be of interest:109.203.98.96/~getglues/stickers.php
    
    5 months
    
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    Stef Ok thank you ;-)
    
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    traveler120 No problem. 109.203.98.96/~getglues/stickers.php is a Facebook group or really good people who can help you get that first 100 quickly.
    
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    Pranav Ralhan liked and reviewed Wolfmother
    
    fuckn awsum!!!
    
    2 years
    
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    Pierre Garrigues favorited and reviewed Wolfmother
    
    Best album ever !!:D
    
    4 months
    
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    Alex A. Lopez favorited and reviewed Wolfmother
    
    life changing
    
    10 months
    
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    Jeremy McKay liked and reviewed Wolfmother
    
    One of the best bands to come out of Australia
    
    1 year
    
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    Matthew Bates favorited and reviewed Wolfmother
    
    Kickin. Bitchin record.
    
    1 year
    
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    Stacy Vargas Ruiz liked and reviewed Wolfmother
    
    Rocking
    
    1 year
    
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    Ryan Daws liked and reviewed Wolfmother
    
    Slam on this album for a drive! Nothing like it.
    
    1 year
    
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    sewasty liked and reviewed Wolfmother
    
    A terrific album all around. Reminiscent of Led Zepplin, but still unique. The Joker and the Theif is one of my favorite songs.
    
    3 years
    
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<p>The notion that rock must perpetually break new ground and reinvent itself is the odious legacy of 10 too many years of rock-crit navel gazing, and one that young Australian power trio Wolfmother stands gleefully on its head with their effusive debut. Hardly surprising to find a new generation's reaction to a decade of shoe-gazing alternative rock angst to be a return to the guilty pleasures of unabashed, blues-based stadium rock--even if they seem unsure whether they're channeling the early Zep scream 'n' sludge frenzy of the single "Woman" or adopting The White Stripes' stripped-down ethos on "Apple Tree" and elsewhere. They bravely mix suspect '70s lyrical thematics ("White Unicorn," "Where Eagles Have Been," "Tales") with usual suspects like Sabbath ("Dimension"), stir in the neo-prog of "Colossal," "Witchcraft," and "Tales," (the latter complete with Tull-savvy flute break), then toast Soundgarden and Queens of the Stone Age on "Mind's Eye" and elsewhere. Their frightfully funk-challenged "Love Train" gets promptly derailed, making one yearn for a hit of Eagles of Death Metal for relief, but its wreckage only proves how far Wolfmother is willing to push the envelope in forging their often intoxicating evocation of the past as future. <i>--Jerry McCulley</i></p>

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Wolfmother

By Wolfmother, 2006

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By Wolfmother, 2006

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