On his return to RKO Pictures Fred Ataire took fifth billing alongside Ginger Rogers in the 1933 Dolores Del Rio vehicle Flying Down to Rio. In a review, Variety magazine attributed its massive success to Astaire s presence: The main point of Flying Down to Rio is the screen promise of Fred Astaire He s assuredly a bet after this one, for he s distinctly likable on the screen, the mike is kind to his voice and as a dancer he remains in a class by himself. The latter observation will be no news to the profession, which has long admitted that Astaire starts dancing where the others stop hoofing.
” Although Astaire was initially very reluctant to become part of another dancing team, he was persuaded by the obvious public appeal of the Astaire-Rogers pairing and he went on to make a total of ten musical films with Ginger Rogers.That partnership, and the choreography of Astaire and Hermes Pan, helped make dancing an important element of the Hollywood film musical. The Astaire-Rogers series are among the top films of the 1930s. They include The Gay Divorcee (1934), Roberta (1935), Top Hat (1935), Follow the Fleet (1936), Swing Time (1936), Shall We Dance (1937), and Carefree (1938).
Six out of the nine musicals he created became the biggest moneymakers for RKO; all of the films brought a certain prestige and artistry that all studios at the time were looking for. Their partnership elevated them both to stardom; as Katharine Hepburn reportedly said, “He gives her class and she gives him sex appeal.”.