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The movements of the Dragon style (traditional Chinese: ; pinyin: lóng xíng mó qiáo; Yale Cantonese: long4 ying4 mo1 kiu4; literally "dragon shape rubbing bridges") of Chinese martial arts are based on the mythical Chinese dragon. Long before Saint George encountered his legendary beast, the Dragon played an influential and beneficial role in Chinese culture. An amalgam of several creatures, including monitor lizards, pythons and the Chinese alligator, the polymorphic dragon was a water spirit, responsible for bringing the rains and thus insuring the survival of crops.
The dragon was symbolic guardian to the gods, and was the source of true wisdom. This latter feature most likely resulted from the observation of the living reptilian counterparts which, usually at rest, seem to be in a near constant state of contemplation. The dragon represented two of the ancient elements, Earth and Water, endowing the creature with powers of illusion and strength.
A Yang symbol, the Taoists saw the dragon as a personification of the Tao itself--"the Dragon reveals himself only to vanish." Shaolin Buddhists saw him as a vision of enlightened truth, to be felt, but never to be held. Certain very old men were called dragons, these being well versed in the life-supporting skills of herbal medicine, agriculture, and kung fu. In early China, these skills were surely a matter of life or death, and those so educated were held in high esteem.
The history of Dragon style has historically been transmitted orally rather than by text, so its origins will probably never be known in their entirety. Modern Dragon style's history can be reliably traced back to the monk Tai Yuk Sim See who was the abbot of Wa Sau Toi (White Hair) temple on Mount Luofu. No reliable records of the style's origin prior to that exist, though there is much speculation regarding the subject.
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