Grant Morrison (born January 31, 1960) is a Scottish comic book writer and artist. He is best-known for his nonlinear narratives and counter-cultural leanings. Grant Morrison was born in Glasgow, Scotland in 1960.
His first published works were Gideon Stargrave strips for Near Myths in 1978 (when he was about 17), one of the first British alternative comics. His work appeared in four of the five issues of Near Myths and he was suitably encouraged to find more comic work. This included a weekly comic strip Captain Clyde, an unemployed superhero based in Glasgow, for The Govan Press, a local newspaper, plus various issues of DC Thomson's Starblazer, a science fiction version of that company's Commando title.
Morrison spent much of the early and mid-1980s playing music with his band The Mixers while writing for UK ventures. However, after writing The Liberators for Dez Skinn's Warrior in 1985, he started work for Marvel UK the following year. There he wrote two three-part and one one-part eight-page comic strips for Doctor Who Magazine (his final one a collaboration with a then-teenage Bryan Hitch as well as a Zoids strip in Spider-Man and Zoids.
1986 also saw Morrison start to write several Future Shocks (normally short two- or three-page comic strips) for 2000AD.
Just read the new Action Comics #1 without much expectation, but surprisingly, I really enjoyed it!
A couple years ago, Grant Morrison re-created the Silver Age Superman for All Star Superman, using... more
Just read the new Action Comics #1 without much expectation, but surprisingly, I really enjoyed it!
A couple years ago, Grant Morrison re-created the Silver Age Superman for All Star Superman, using all his essence. And now he did just the same with the Golden Age Superman!
Although the Silver Age version is the one I love the most, the one from my childhood, the one that inspired me to tattoo his symbol on my arm, this one is equally awesome! It is Siegel's and Shuster's Superman! This is a down-to-earth Man of Steel that fights for the people, for minorities, like he used to do before the WWII and the "American Way".
The result is a modern Superman that, (even though I'll always love the Big Boy Scout version) is really more up to date and has everything to please a modern audience.
This is exactly what I like about the DC icons, they can be interpreted in several different ways and work perfectly at each new different approach. Kudos, Grant Morrison, you did it again.