Rhapsody in Blue is a musical composition by George Gershwin for solo piano and jazz band written in 1924, which combines elements of classical music with jazz-influenced effects. The composition was orchestrated by Ferde Grofé three times, in 1924, in 1926, and finally in 1946. The piece received its premiere in a concert entitled An Experiment in Modern Music, which was held on February 12, 1924, in Aeolian Hall, New York, by Paul Whiteman and his band with Gershwin playing the piano.

The version for piano and symphony orchestra, orchestrated by Ferde Grofé in 1942, has become one of the most popular American concert works. After the success of an experimental classical-jazz concert held with French-Canadian singer Eva Gauthier at Aeolian Hall on 1 November 1923, band leader Paul Whiteman decided to attempt something more ambitious. He asked Gershwin to contribute a concerto-like piece for an all-jazz concert he would give in Aeolian Hall in February 1924.

Whiteman became interested in featuring such an extended composition by Gershwin in the concert after he had collaborated with Gershwin in the Scandals of 1922, impressed by the original performance of the one-act opera Blue Monday, which was nevertheless a commercial failure. There would certainly be call for revisions to the score; he felt that he would not have enough time to compose the new piece. Late on the evening of January 3, at the Ambassador Billiard Parlor at Broadway and 52nd Street in Manhattan, while George Gershwin and Buddy De Sylva were playing billiards, his brother Ira Gershwin was reading the 4 January edition of the New York Tribune.

An article entitled "What Is American Music?" about the Whiteman concert caught his attention, in which the final paragraph claimed that "George Gershwin is at work on a jazz concerto, Irving Berlin is writing a syncopated tone poem, and Victor Herbert is working on an American suite."

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