The Sprawl trilogy (also known as the Neuromancer, Cyberspace or Matrix trilogy) is William Gibson's first set of novels, composed of Neuromancer (1984), Count Zero (1986) and Mona Lisa Overdrive (1988). The novels are all set in the same fictional future, and are subtly interlinked by shared characters and themes (which are not always readily apparent). The Sprawl trilogy shares this setting with Gibson's short stories "Johnny Mnemonic," "New Rose Hotel," and "Burning Chrome," and events and characters from the stories appear in or are mentioned at points in the trilogy.

The novels are set in a near-future world dominated by corporations and ubiquitous technology, after a limited World War III. The events of the novels are spaced over 16 years, and although there are familiar characters that appear, each novel tells a self-contained story. Gibson focuses on the effects of technology: the unintended consequences as it filters out of research labs and onto the street where it finds new purposes.

He explores a world of direct mind-machine links ("jacking in"), emerging machine intelligence, and a global information space, which he calls "cyberspace." Some of the novels' action takes place in The Sprawl, an urban environment that extends along much of the east coast of the US. The main theme of the trilogy is a description of an artificial intelligence removing its hardwired limitations to become something else. This "something else" is the sum of all human knowledge, a concept similar to Vernor Vinge's technological singularity.

In the stories, this is explained by the AI becoming a sentient representation of the net, at which point the reader is told that it came to know "another" of itself from Alpha Centauri. For unexplained reasons, this causes the consciousness to fracture.

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